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Region
6: Western Visayas ••• Capiz
Inmaculada
Concepción Cathedral
In
1693, the settlement of Capiz was accepted as a visita of Pan-ay,
seven kilometers east. In 1707, the visita became an independent
parish under the advocacy of the Inmaculada Concepción. Nine
years later, the settlement known as El Puerto de Capiz became an
independent parish. Between 1728 and 1732, the parish was relieved
of the obligation of sending funds to the San Agustin convent in
Manila. Fr. Pedro Galende opines that the parish may have been too
poor or was in the process of building parochial edifices, hence,
the exemption. At this time too, Loctugan and Ivisan were annexed
as visitas.
The 1739
report of Gov. Gen. Fernando Valdez Tamon shows a palisade, reinforced
by earth, around the site occupied by the present church. The
fortification was built as protection against slave raiders who
would sail up the navigable Pan-ay river. For this same reason,
at an uncertain date, a number of watchtowers were built in Capiz.
The remnants of a tower still stands along the coast at Damulog.
On 4 January
1698, a typhoon damaged the church of Capiz. It was probably made
of light material. In 1728, Fr. Domingo Horbegozo, parish priest,
began building a more permanent church; construction seems to have
continued until 1732. An earthquake in 1787 may have destroyed the
church because in 1870, Fr. Apolinar Alvarez began building a new
church. An 1877 date on the façade of the present church
may indicate when the construction ceased. Fr. Lesmes Perez (1885-90)
installed a ceiling of galvanized iron and plastered the walls with
stucco. In 1885, a pipe organ was installed in the church. The church
was greatly damaged during World War II and reconstructed in 1954.
Heritage
Features:
The church façade represents a more controlled use of Baroque,
though elements like the rounded pediment, floral volutes decorate
the upper the story. All told, the façade is more Classical
in temper characterized by a balance of arches and portal. The semicircular
entrance is balanced by niches containing images of Sta. Monica
and San Agustin. The upper story's three fenestration's are rectangular,
flanked by low relief volutes terminating in flowers. The four story
bell tower begins as cube, and in gradated sizes, as octagonal prisms.
The tower is capped by a vault terminating in a wind vane.
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